圖：《聚變：AA倫敦建築聯盟的前銳時代》展場，圖右1為Franco Raggi - 《無題》

法蘭哥．拉吉將他的時代高度重視的兩項議題，畫入這件速寫中，其一是歷史典故的運用，如同此作中的古典立柱；其二是對可靈活移動的建築研究，即作品中以床墊作為車身的結構。這幅圖稿以原子筆繪製，如同拉吉意欲表達的概念——攜帶容易、用畢即丟，以嘲諷的角度捕捉那個時期的義大利建築與設計界，熱衷象徵主義的風潮。

In this quick sketch, Franco Raggi references two important preoccupations of his time. First, the use of historical allusions, as seen in the classical columns, and second, the exploration of mobile and portable architecture, in the mattress-topped vehicle. Drawn in ballpoint pen—a tool as portable and as ephemeral as the idea he illustrates—this ironic image also captures the particular enthusiasm for symbolism in Italian architecture and design of this period.